This kind of work takes a huge commitment from all those involved. The
Youth Theatre has been working on the initial script idea since late January and their
hard work has paid enormous dividends.
Boy Band charts the course of five young Coventry lads, from their
initial auditions in a church hall, through the rigours of manipulative managers and
record companies, to supposed super-stardom. The Boy Band in question, is hilariously
named the M&Ms, because they are crunchy on
the outside and soft on the inside, but actually stands for the aptly titled Muff
Magnets!
The story is narrated by a chorus of four Dead Rock Stars, containing
the usual suspects, John, Jim, Kurt and Elvis; so famous that they dont need
surnames. This was a theatrical device that worked, but due to technical problems with the
onstage mikes, occasionally the main thrust of the story was lost.
The Dead Rock stars are ably assisted, by some of the female members in the cast who
are split between three Girl Groups, the Pop Tarts, B*Jesus
and Cleopatois. No prizes for guessing whose names they are based on. The
way the Girl Groups are controlled by the record company provides a sinister backdrop to
the meteoric rise to fame of the lads.
A member of Cleopatois, who enjoys doing her homework is ridiculed by her manager for
not having enough attitude. B*Jesus are promoted as innocent
Irish girls, but are really posh-speaking, beer-swilling ladettes. Stuck
Up, a member of the Pop Tarts is told she has to form a relationship with
an M&M instead of a famous footballer. Sound familiar?
The audition scene, to find the five lads was very enjoyable, allowing some very funny
musical pastiches from the younger members of the cast; in particular the two boy duo (Simon
Bayliss and Christopher Nagle) who did a glorious rendition of
Its Raining Men. Chris Treanor who plays Billy, the
fast talking, mobile-phone clutching, band manager, handles his character well, getting
full mileage out of his comedic one-liners.
When the M&Ms do their first gig to get that all important initial record
company interest at a local girls school, you can practically smell the adolescent
pheromones in the auditorium, as the pubescent girls scream their adulation for
the boys, much to the consternation of the perplexed headmistress.
By the end of the first act, the M&Ms have metamorphosed into a professional,
all-dancing, all-singing pop phenomenon, as they perform Robbie Williams Let
Me Entertain You in front of a cheering full cast. Full marks to all the
lads who make up the M&Ms for a highly believable, well executed performance.
The second Act charts the inevitable decline of the M&Ms,
who having attained fame, find that its not what its cracked up to be. As they
sit in yet another boring hotel room while on tour, one of them mournfully says: I
thought it would be a dead good laugh, but its not.
Billy, their manager, is unceremoniously sacked by the record company.
A member of the band is photographed smoking a joint backstage, only to be frog-marched
out of the band and sent home in disgrace. A girl fan sells a kiss and
tell story to the gutter press, suggesting that one of the M&Ms
is endowed like a chipolata. This catalogue of disasters culminates in the now
four-piece M&Ms being awarded Best Newcomer at the
annual pop ceremony, only to find yet another member announcing his departure to pursue a
solo career.
This is a salutary tale of youthful dreams gone stale. The characterisations throughout
were of the highest calibre from everyone involved. Natasha Springer and Sheryl
Robertson gave sterling solo vocal performances as members of the Pop Tarts. Declan
Bennet shone in his singer-songwriter capacity as a member of the M&M's.
Boy Band is an excellent nights entertainment, complete with 20
all-time favourite songs. The Belgrade Youth Theatre has much to feel proud of.
Boy Band is in performance nightly at The Belgrade Theatre until Saturday
17 April, so book a ticket now and help support our future local talent.